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Whores To Oblivion - Cathedral - Endtyme (CD, Album)

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  1. Cathedral ma 2 fanów · Zostań fanem The Last Spire () Video Tłumaczenie Karaoke Wyświetlono. Entrance to Hell 2. Pallbearer 2. Cathedral of the Damned 1. Tower of Silence 1. Infestation of Grey Death 2. An Observation 1. The Last Laugh 1. This Body, Thy Tomb 2. Odtwórz cały album.
  2. So here at last (for me, at least) we have my favourite Cathedral album, hoaclimkainagetvigarepsimapogsa.xyzinfo’s the first one I ever bought, having no clue what doom metal was, and the first few times through the only track I liked was Whores to Oblivion, because of its goofy hoaclimkainagetvigarepsimapogsa.xyzinfo a lot of great albums that have a token “catchy but stupid” song on, nowadays it’s pretty much the track that I play the.
  3. Cathedral discography (main) Caravan Beyond Redemption () The VIIth Coming () > Endtyme Cathedral. Type: Full-length Release date: February 26th, Catalog ID: MOSH CD Version desc.: USA Label: Earache Records (loading lyrics) 3. Requiem for the Sun Show lyrics (loading lyrics) 4. Whores to Oblivion Show.
  4. Endtyme is the sixth full-length album by British doom metal band Cathedral. Released in , this album is a return to the more dark and gloomy sound found on their first album. The cover art was created by Sunn O))) guitarist Stephen O'Malley. It was the first Cathedral album not to feature cover art by Dave Patchett/5(3).
  5. Cathedral Lyrics "Whores To Oblivion" World is falling before our eyes Whores to oblivion Submit Corrections. Writer(s): Dixon Brian Jeffrey, Smee Leo, Dorrian Lee Robert, Jennings Garry Paul. AZLyrics. C. Cathedral Lyrics. album: "Endtyme" () Melancholy Emperor. Requiem For The Sun. Whores To Oblivion. Alchemist Of Sorrows.
  6. "Endtyme" is the 6th full-length studio album by UK doom metal act Cathedral. The album was released through Earache Records in February Endtyme was produced by Billy Anderson and recorded at Chapel Studios, South Thoresby, England.
  7. Upon its release, Cathedral's Endtyme was heavily touted as a "back to basics" album for the British doom originators -- but this isn't exactly true. After taking its neo-hippie metal as far as it could, Lee Dorrian's combo certainly seems bent on revisiting the slothful, post-Sabbath dirge that characterized its earliest releases. But unlike its record company, the group doesn't seem nearly 5/

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